It inspires you as an artist to continue to strive for ever greater heights while fighting to catch the same vision that Bobby had of theatrical potential. Jan 16, Leah rated it really liked it.
The dramatic imagination
If you are in love with theatre as much as i am in love with theatre you will find this book very interesting. It is slightly outdated and yet not. Nov 12, Heather Wirth rated it really liked it Recommends it for: non-actor theater junkies. Feb 11, Thomas Murphy rated it it was amazing. This is the best book I have read about theatrical design. It speaks on both a personal artistic and a professional level and I would urge any theatrical designer or practitioner to read it as well.
Every theatre person, and really artist, needs to read and reread this book. It is truly wonderful and is still just as up to date to day as it was when it was written in Jan 27, Nick Orvis rated it liked it. This slim volume, most of the material of which dates to the s, is probably not essential reading but contains some interesting tidbits for the novice student of theater - and some nice, inspiring portions for the experienced professional.
Robert Edmond Jones was one of the most influential and innovative scenic designers of the early 20th century, and the writings here demonstrate both his imagination and the powerful belief in theater as art form, which pervades each essay in sometimes bre This slim volume, most of the material of which dates to the s, is probably not essential reading but contains some interesting tidbits for the novice student of theater - and some nice, inspiring portions for the experienced professional.
Robert Edmond Jones was one of the most influential and innovative scenic designers of the early 20th century, and the writings here demonstrate both his imagination and the powerful belief in theater as art form, which pervades each essay in sometimes breathless terms. I didn't find myself radically reevaluating any of my ideas about stage design upon reading this book, and some of Jones's references can be dated, or to put it more accurately appropriate more to the mid-century intelligentsia than to a modern reader.
He lived in a very, very white and male world, and references to Cortez, for example, are meant to evoke "adventure" and "discovery. Despite this, Jones's vision - important in his time, but still today - of the theater as a place of magic, wonder, and the superreal is inspiring for those of us who have become used through habit to photorealistic, psychologically driven drama.
As theater competes with cinema for audiences already a problem when Jones was writing , practitioners are moving more and more away from attempts at "realistic" portrayal toward an embrace of the radical liveness of theater. Although some of the middle chapters drag slightly, the last two essays are particularly evocative, and I found this passage near the end of part 7 an enjoyable call to arms: "The only theatre worth saving, the only theatre worth having, is a theatre motion pictures cannot touch.
When we succeed in eliminating from it every trace of the photographic attitude of mind, when we succeed in making a production that is the exact antithesis of a motion picture, a production that is everything a motion picture is not and nothing a motion picture is, the old lost magic will return once more. The realistic theatre, we may remember, is less than a hundred years old. But the theatre - great theatre, world theatre - is far older than that Oct 01, Kat rated it liked it Shelves: tdesign , ttheory.
I certainly didn't dislike reading this, and Jones's prose is quite beautiful to experience. That being said, who is this book for? Jones's general musings, while obviously true, lack real substance that can shape the work of serious theatre makers. No great takeaways, but didn't regret reading it. Dec 18, Dustin J Allen rated it really liked it. Best theatre book I've come across. Mar 05, Michael DeWhatley rated it liked it. Parts of this book were particularly compelling, such as the first essay and his writings about stage lighting.
All of the essays felt like variations on a theme and waxed poetical past the point of usefulness. Sep 11, Echo rated it liked it.
Dramatic Imagination Reflections Speculations Art by Jones Robert Edmond
The reason I didn't really like this book was because it was assigned reading. The book is very wordy and a bit outdated seeing as he's commenting on all the new things happening in theatre - in the late 30's that is. It's also a collection of reflections he wrote, not a novel on his opinions so the essays sometimes conflict or repeat information. However, if you're running out of inspiration and want to be re-inspired by the theatre, this is the book for you.
Robert Edmond Jones Photographs, undated | Library
His descriptions, though lengthy, d The reason I didn't really like this book was because it was assigned reading. His descriptions, though lengthy, describe the wonders of the first time at a theatre perfectly. Feb 03, Emily Giuffre rated it liked it Shelves: filmmaking. A beautiful invitation into conceptual, theatre design. Everyone interested in art should read this, not just designers!
The language or manner of speech is a bit "other worldly" but nonetheless, a stimulating catalyst for getting the creative juices going.
xn-----9kcfbidjitca7d0d2g.xn--p1ai/includes/139.php Sep 14, Kris rated it it was ok. Other than sounding completely pompous, Mr. Jones's basic ideas and beliefs about the world of theatre are largely still applicable and universally true in the theatre world. May 12, Scotty Bateman rated it it was amazing Shelves: favorites. Essential reading for every theatre person, especially designers. Jun 01, Steph added it. Good for a theatre technician that needs inspiration, or anyone involved in theatre that is. This is about more than about set design.
It is about the whole magical world that can touch this plane through the powers of imagination. And deep respect for that. Truly extraordinary and most inspiring! Sep 27, Michael rated it really liked it. Read this book for a scene design class. Interesting commentary on the design process. Good, easy read.
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Kyle Cooper rated it liked it Jul 10, Mark Woodland rated it it was amazing Jul 28, Holly rated it really liked it Feb 21, Lee Crouse rated it it was amazing Feb 16, Or have you failed to learn? What is it then? They breathe a dreadful secret in the darkness. The first beams of the sun smite the stage.
There is a fanfare of brass. The chorus enters. Thou hast appeared at last…shining brighter on our seven-gated city than ever light shone before. O, eye of the day of gold! And now the dawn has come, calm, serene, merciless as justice, inexorable as law. The drama pursues its course in the light of a new morning, marching steadily toward its climax while the sun marches steadily on toward high noon. All things are to be made clear.
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All things move from darkness into light. The sentence is pronounced. Antigone must go alive into the tomb.
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The beautiful masked figure speaks: Men of my land, you see me taking my last walk here, looking my last upon the sunshine. Never more. She is standing now in the shadow of the great center portal. She covers her face with her veil. Sorrow, and dread and ruin….
The elders of the city answer her: And yet in glory and with praise you pass to the secret places of the dead. Alone among mankind you go to the grave alive. Strange shadows stir in the darkness behind her. Her voice seems to come from a great distance: The dramatic imagination 14 I have heard of the pitiful end of the stranger from Phrygia, the daughter of Tantalus…most like to her, God brings me to my rest.
She speaks from another world. She is already a memory. Cut off from friends, still living, I enter the caverned chambers of the dead.
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