German Expressionism: The Graphic Impulse


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German Expressionism: The Graphic Impulse

Essays by curator Starr Figura and Peter Jelavich, Professor of History, Johns Hopkins University, discuss the centrality of printmaking in German Expressionism and describe the movement's sociocultural backdrop. An illustrated chronology by Iris Schmeisser provides a richly textured account of the interwoven strands of art, culture, and politics during the Expressionist era in Germany.

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Detailed notes on the artists and print publishers highlight the significance of printmaking to the movement. Hardcover, 12h x 9. The site comprises two complementary, interconnected sections that enable visitors to explore various aspects of the movement and to browse and search the collection online using various selective filters. The first section is designed to provide an overview of the Expressionist movement and the significance of works on paper within it, inviting visitors to explore the various styles and groups associated with Expressionism; the major themes treated by the Expressionists; and the printmaking techniques used by the Expressionists.

Additional features are devoted to the major artists and print publishers, and to illustrated books, portfolios, and periodicals -formats to which the Expressionists repeatedly gravitated.

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For the illustrated books, a special page-turning animation has been developed, which enables visitors to virtually page through all of the illustrations in each of 27 volumes. The second section of the site is a searchable online collection, which allows visitors to browse and search all of the more than 3, Expressionist prints, drawings, paintings, and sculptures in the Museum's collection. Search filters allow for the material to be sorted according to artist, date, technique, or theme.

The zoom feature is available with all works. Other special features include a chronology of the Expressionist era detailing the major cultural and political events, and an interactive map of Germany that allows visitors to explore the geographical underpinnings of selected works. The site launches on March 27, but will be up for preview starting on March 22, Scholars will address the print's ability to represent formal innovations and aesthetic goals, to communicate issues of war and national pride, and to appear alongside news, commentary, and literature in publications and periodicals.

Moderated by Starr Figura. Available in English only. Broadway Shows Broadway Musicals. Tweet Share. The first national tour of The Band's Visit is now making its way across the country after launching at the Providence Performing Arts Center in Rhode Follow Us Facebook. Sign up for free! Join our Signed First Edition Club or give a gift subscription for a signed book of great literary merit, delivered to you monthly.

Shipping rates and options, locally and throughout the U. Harvard University harvard. Advanced Search. Course document File Course aims and Learning outcomes Course aims: To introduce a wide range of print techniques and styles from the period and to provide students with the vocabulary and visual experience to make informed comparisons. To study the graphic production of specific artists and collaborative groups in association with art-historical texts on German Expressionism and its aftermath.

Demonstrate an understanding of the significance of printmaking and collecting to certain artists and social groups in the context of individual careers and with regard to cultural tendencies and politics of the time. Articulate in writing an initial grasp of art-historical debates on attitudes to authenticity and originality within the modernist frame.

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Essay 1 words, due Monday 29 October Selecting examples of two different graphic techniques, compare the effects of style and subject matter against the background of the artist s and the historical circumstances. Essay 2 words, due Monday 26 November Choose one of the following questions: On the basis of three prints chosen from across the period, discuss the appeal of the works to changing audiences. Choosing a print portfolio by one artist, consider its effectiveness as a visual narrative. In what forms did hope and despair feature in works on paper across the period?

How did Otto Dix and other artists provoke a reaction after ? Essay 1 Turnitin Assignment 2. Essay 2 Turnitin Assignment 2. Washton-Long, Rose-Carol ed. Figura, Starr ed. Week 1 1. German History Docs: Intro.


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Week 2 2. Illuminations , only. VLE: please print out and bring to class, at least one copy between two.

Topic outline

See esp. Reisenfeld Portolios File 2. Benjamin Work of Art File 4. Werkner Vienna File 3. Varnedoe Max Klinger File Graphics slides week 2 File 2.

Week 3 3. Lewer, ed. By Klaus Lankheit translation of text and facsimile images.

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Kandinsky, On the Spiritual in Art File 4. Frank Whitford ed.

Pressure + Ink: Introduction to Relief Printmaking

The Berlin of George Grosz: drawings, watercolours and prints. Rigby Revival File 8. Jay A Clarke, 'Woodcut as Process.. British Museum worksheet File Read main essay. Lloyd, The Bruecke Bathers File 5. West, 'The Spiritual in Art' File 2. Dottori, 'Expressionism and Philosophy' File Slides week 5 File 3. British Library, Tuesday 6 November am — pm A specialist session on the launch of Expressionist periodicals will consider the rise in promotional opportunities for artists working in print formats.

Stephen Bury ed , Breaking the Rules: the printed face of the European avant-garde, exh.


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  • Haber's Art Reviews: "German Expressionism: The Graphic Impulse".

Georg Heym poem File Music While Drowning File British Library Worksheet File Week 7 7.

German Expressionism: The Graphic Impulse German Expressionism: The Graphic Impulse
German Expressionism: The Graphic Impulse German Expressionism: The Graphic Impulse
German Expressionism: The Graphic Impulse German Expressionism: The Graphic Impulse
German Expressionism: The Graphic Impulse German Expressionism: The Graphic Impulse
German Expressionism: The Graphic Impulse German Expressionism: The Graphic Impulse

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